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‘Nuevos Colores’ at Robert Miller Gallery

Carlos Quintana: “Intriga en el Monasterio” (2015 | 78 11/16 x 86 9/16 in; 200 x 220 cm). Courtesy Robert Miller Gallery.
Carlos Quintana: “Intriga en el Monasterio” (2015 | 78 11/16 x 86 9/16 in; 200 x 220 cm). Courtesy Robert Miller Gallery.

BY STEPHANIE BUHMANN | This extensive and rather timely group exhibition presents a cross-generational group of artists who all live and work in Havana, Cuba. The range of media is eclectic — including site-specific installations, sculptures, paintings, works on paper and photographs, among others.

In order to enter the exhibition, visitors will have to pass underneath a site-specific installation by Arlés del Rio, which is comprised of multi-colored, elongated snorkels. Hanging just out of reach, they generate a sense of visceral yearning for what lies beyond.

Arlés del Rio: “La Necesidad de Otros Aires” (2015 | installation: silicone, nylon, plastic and metal no. 2, 3, and 4 [300 plastic tubes] | dimensions variable). Courtesy Robert Miller Gallery.
Arlés del Rio: “La Necesidad de Otros Aires” (2015 | installation: silicone, nylon, plastic and metal no. 2, 3, and 4 [300 plastic tubes] | dimensions variable). Courtesy Robert Miller Gallery.
Aimée García: “Constelaciones” (2010 | digital photograph on canvas embroidered with thread and beads | 31 7/16 x 20 13/16 in; 80 x 53 cm). Courtesy Robert Miller Gallery.
Aimée García: “Constelaciones” (2010 | digital photograph on canvas embroidered with thread and beads | 31 7/16 x 20 13/16 in; 80 x 53 cm). Courtesy Robert Miller Gallery.

Holding up a pie pan embroidered with thread and beads in her self-portrait photograph, Aimée García also expresses her longing to be freed from the everyday, and her hope to find magic in the mundane.

Elsewhere, Ariamna Contino’s hand-cut and meticulously layered three-dimensional paper images contrast the paper’s inherent fragility with the subject matter: deadly weapons used to commit mass murder.

What these works have in common, aside from their shared cultural background, is that they reference a Cuban socio-political context. Here, oppression, yearning, dichotomies, and alternate realities are recurring themes.

Through Nov. 14 at Robert Miller Gallery (524 W. 26th St. btw. 10th & 11th Aves.). 

Hours: Tues.–Sat., 10 a.m.–6 p.m. Call 212-366-4774 or visit robertmillergallery.com.